Tag Archives: Anthony Mackie

Captain America: The Winter Soldier is Marvel’s biggest and best cinematic extravaganza to date

When last we checked in on Steve Rogers/Captain America (Chris Evans), he was kicking the Chitauri out of Loki’s invading forces with his fellow Avengers (pronunciation joke). The Sentinel of Liberty was also still adjusting to the modern world after a 70-year organic cryo-snooze, coming to grips with the loss of his friends and the prevalence of technology.

As Captain America: The Winter Soldier begins, Cap is working as the world’s first super-powered mop boy, cleaning up Nick Fury’s (Samuel L. Jackson) messes around the globe with the help of Black Widow (Scarlett Johansson) and S.H.I.E.L.D. Strike Teams. His role in the modern world of military intelligence has led to a crisis of conscience, and though he’s mastered his own shield, Cap is getting more than a little tired of the endless compartmentalization and potential double dealings of that other S.H.I.E.L.D.

So, finally, Fury offers him some insight into, er, Project: Insight, a pre-emptive strike system of Orwellian proportions, with three next-gen helicarriers as the world’s ballistics-bloated Big Brothers. But Cap, outdated optimist that he is, can’t jibe with Fury’s well-informed hyper-cynicism. Order by way of fear is tantamount to tyranny, not peace. Of course, it’s an easy perspective for Cap to defend; he’s not the one burdened by the role of global chess master. Besides, Fury has his own bosses to whom he must answer. One such superior is Alexander Pierce (Robert Redford), a member of the cabal World Security Council and Fury’s longtime friend and ally. Nick has a big favor to ask of Pierce:

Stall Project: Insight at any cost.

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Runner Runner is by the numbers

After a rather meticulous setup, Runner Runner get’s dumb and dumber. It’s far from inspiring — except for inspiring you to look up what a runner runner hand actually is in the poker world — and nowhere near the sum of its parts. Intrigue leads to predictability, which in turn rigidly follows the standard formula for thriller fare.

You’d expect better from the guy who directed The Lincoln Lawyer and the writing team that brought us Rounders and Ocean’s 13. Then again, co-writers Brian Koppelman and David Trevien also penned Walking Tall and Knockaround Guys. The point is their successes show us this pair can get it right; this just wasn’t one of those projects. The intrigue is muddled, the wisecracks are meager and the lack of denouement is maddening.

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