Tag Archives: Scarlett Johansson

Captain America: The Winter Soldier is Marvel’s biggest and best cinematic extravaganza to date

When last we checked in on Steve Rogers/Captain America (Chris Evans), he was kicking the Chitauri out of Loki’s invading forces with his fellow Avengers (pronunciation joke). The Sentinel of Liberty was also still adjusting to the modern world after a 70-year organic cryo-snooze, coming to grips with the loss of his friends and the prevalence of technology.

As Captain America: The Winter Soldier begins, Cap is working as the world’s first super-powered mop boy, cleaning up Nick Fury’s (Samuel L. Jackson) messes around the globe with the help of Black Widow (Scarlett Johansson) and S.H.I.E.L.D. Strike Teams. His role in the modern world of military intelligence has led to a crisis of conscience, and though he’s mastered his own shield, Cap is getting more than a little tired of the endless compartmentalization and potential double dealings of that other S.H.I.E.L.D.

So, finally, Fury offers him some insight into, er, Project: Insight, a pre-emptive strike system of Orwellian proportions, with three next-gen helicarriers as the world’s ballistics-bloated Big Brothers. But Cap, outdated optimist that he is, can’t jibe with Fury’s well-informed hyper-cynicism. Order by way of fear is tantamount to tyranny, not peace. Of course, it’s an easy perspective for Cap to defend; he’s not the one burdened by the role of global chess master. Besides, Fury has his own bosses to whom he must answer. One such superior is Alexander Pierce (Robert Redford), a member of the cabal World Security Council and Fury’s longtime friend and ally. Nick has a big favor to ask of Pierce:

Stall Project: Insight at any cost.

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Don Jon is sexy fun

JGL’s creative debut — in addition to playing the lead, he wrote and directed the film — shows a ton of potential, like a 7.5 that could be a 10 if you dressed her up right. The writing is tight and snappy and his character is well written. As a new filmmaker, he shows a knack for plotting, juxtaposition and comedic timing, but his lack of experience is also evident. The disjointed pacing between acts makes it feel like two different movies; while the hits keep rolling on the front end, the tempo starts to wane as the film progresses and the space between gags makes you wonder how he kept such a pace to begin with. Sometimes you wonder if it’s just a 90-minute PornHub ad.

Gordon-Leavitt’s acting chops are not in question, however, and he tackles this wiseass, Jersey guido with aplomb. Johansson is equally well cast as the stunning, shallow succubus. Tony Danza absolutely shines as Jon Sr., his best role in years, admittedly an easy feat since half of the target audience has likely never known the joy of Who’s the Boss. Let’s just say his career was darkest before the Don.

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